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Introduction: From Affect to Exegesis in: Biblical Interpretation Volume 22 Issue 4-5 (2014)
Amazon.com: The Desiring-Image: Gilles Deleuze and Contemporary Queer Cinema: 9780199993161: Davis, Nick: Books
Slow Reading (1.9): Deleuze's DR (pp. 8-10) – Sketching a Present
Deleuze, atheism, and belief in God. Extract from my forthcoming book on Deleuze and theology – Thinking Through The Bible
Deleuze and Space | PDF | Gilles Deleuze | Space
Guide to Reading Deleuze's Cinema II: The Time-Image, Part I: Towards a Direct Imaging of Time to Crystal-Images | Networkologies
PDF) Imagining Zombies
Performativity, Assemblage, Affect | SpringerLink
Guattari S Diagrammatic Thought | PDF | Gilles Deleuze | Martin Heidegger
Gilles Deleuze: Thinking as Making Sense Against Common Sense | SpringerLink
On Being and Becoming the Monstrous Subject of Measurement | SpringerLink
Gilles Deleuze on Writing, Creation, Philosophy, and More – BIG OTHER
Everything Flows – Social Text
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Bloomsbury Collections - Gilles Deleuze - Image and Text
Amazon.com: The Desiring-Image: Gilles Deleuze and Contemporary Queer Cinema: 9780199993161: Davis, Nick: Books
10: Visioning and planning the city in an urban age: a reality check in: Urban Futures
PDF) A Deleuzian Approach to Jorge Furtado's O Homen Que Copiava (2003) and Heitor Dhalia's O Cheiro Do Ralo (2006) | Cynthia M Tompkins - Academia.edu
Amazon.com: The Desiring-Image: Gilles Deleuze and Contemporary Queer Cinema: 9780199993161: Davis, Nick: Books
Inflexions of Deleuze|Guattari: For a New Ontology of Media, When West-East Meet | SpringerLink
Gilles Deleuze: The ABC Primer, Lecture Recording 3 - N to Z, 3 June 1989 | The Deleuze Seminars
Amazon.com: The Desiring-Image: Gilles Deleuze and Contemporary Queer Cinema: 9780199993161: Davis, Nick: Books
2019 WiD Bibliography by GSD WiD - Issuu
Deleuze, atheism, and belief in God. Extract from my forthcoming book on Deleuze and theology – Thinking Through The Bible
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Buchanan and Lambert (Eds.) - Deleuze and Space.pdf
Grid Diagram: Deleuze's Aesthetics Applied to Maggs's Photographs | SpringerLink